Amazing National Style In Modern Fashion Dress

Modern Fashion Clothes & Accessories National style

(1) The oriental national dress culture has become the inspiration source of modern dress

In the changing clothing culture. The continuous integration of eastern and western clothing culture. Chinese clothing has also gone to the world, and gradually integrated with internationalization. The national costumes of all ethnic groups play an indelible role in modern costume design. The cultural spirit of national costumes is characterized by its broad connotation, unique aesthetic charm and rich forms of expression. It brings new impact to modern clothing, and also adds new flash to modern clothing culture. Although over the years in the clothing industry, the impact of national culture has been so strong, involving so many points, covering so many areas, and the designer's new interpretation of national style is unparalleled over the years. The influence of national costume on modern costume is not only the designer's special preference for it, but also firmly ties the hearts of the people of all countries, thus forming a shining national style on the T-stage and in urban streets. 1. Oriental national costume culture becomes the inspiration source of modern costume. Today, with the advent of the new century, the artistic charm of the costume culture of other oriental nations has spread all over the world, providing an inexhaustible source of art for designers to create costumes.

The clothing styles of Japan, India, Thailand, Singapore and other oriental nations have been used for reference and adopted by designers. The details of oriental styles include curling, tassels, knots and flower embroidery. Make their design more exquisite and luxurious. It also adds a sense of flow and interest. Especially in the high-end ready to wear, the exquisite oriental handicraft art decoration echoes the simple and elegant modern fashion. It is more innovative and full of charm.

Many oriental designers also explore design inspiration from their own or surrounding national cultures and create fashionable works full of national essence. For example, the famous Japanese designer Yoji Yamamoto, an outstanding designer who broke into the fashion stage in the 1980s, is also one of the avant-garde figures leading the fashion industry. His design combines the western architectural style with the Japanese traditional kimono. Make clothing more than a covering for the body. And become a dresser. The details of the communication between body, design spirit and rhyme. Miyake Shisei, a Japanese designer, based on the national dress kimono, formed a concept of dress with a non fixed structure by means of layering, hanging, wrapping, etc. He developed the essence of Japanese traditional dress culture and refined the elements of kimono. Apply to the design concept of modern clothing.

In recent years, designers from Kistan, Singapore and other places have begun to emerge. E.g. Pakistan designer Moham med Amlr innovatively designed the traditional national costumes of Islamic women. The designer kept the custom of leaving a seam in the eyes of the headdress in his creation. In other aspects, he made bold innovations, forming a sleeveless style, with the front of the skirt as short as knee, the back as long as the ground. There are many holes in the clothing fabric, and even vaguely exposed the buttocks. His works combine the east with the west, hide from the top and reveal from the bottom. They not only inherit the national traditional clothing style, but also make a breakthrough in design, which has been recognized by the clothing industry, including his native people.

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(2) Western national dress culture reappears

While the oriental national style represented by China is favored by everyone, the European and American national costume culture is also constantly seeping into the world stage, forming a trend of great integration of the world's national costume culture. Designers in the fashion industry are interested in ways that are no longer conservative, reposition their design concepts, creative styles, etc., and how to express or describe the cultural differences in clothing formed by different countries, nations and traditions in terms of people's values, aesthetic values, and living standards, reflecting the efficient production from handicraft creation to computer control.

From the fashion dominated by aristocrats to popular among the public, from brain decoration to various ornaments. These are all topics worthy of in-depth study by designers. Famous designer Givenchy has launched a series of clothes to show the sharp style of oblique cutting. It has a unique style theme of Scottish plaid. The design works of Caini Caio style are gorgeous and brilliant, showing a strong Irish national style. The clothes she designed sparkle with ancient luster: hand-made shirts and artistic printed cloth reflect the traditional craft style of people. Wearing such clothes makes people feel as if they are beside a warm stove, warm, kind and natural. As well as Yves Saint Laurent, an outstanding figure in the Dior period, his works have passionate and unrestrained Spanish style, colorful Russian style, simple and unrestrained African style, and classical and rich Velas style. It should be said that Saint Laurent is a reformer of the old fashion style, who endows the "classical" high fashion with the significance of the times. The term "Bohemian style", which is popular all over the world, has also become a powerful shock wave on the modern fashion stage.

The main characteristics of the clothing are the combination of bright hand decoration and rough and heavy fabrics, metal texture plastic lock armour fabric, silk hemp mesh fabric, shiny metal gauze fabric and other clothing forms, which retain the clothing style of "nomads", so that people who have lived in the city for a long time can experience the unrestrained freedom of the wandering grassland, The design works of Emanwel Ungaro, a famous designer, apply cashmere knitted fabrics and woolen mesh fabrics to endow the "Bohemian" national style with a quite feminine flavor, not only interpreting the decoration of the ruffles to perfection, but also making it a bit wild.

From these examples, we can see that the return and complementation of different ethnic costumes not only reflect people's psychological and social cultural phenomena. It also explains an important problem, that is, different National costume Culture is influencing and developing each other. The integration of our nation and other nations, tradition and modernity, makes the connection between people more and more intense.