Women Disguise Themselves As Men And Live In Life.

According to the world clothing shoe and hat net reporter, in fact, in addition to TV dramas, there are many young men in the literary works.

Today we are going to talk about the way women dress up as men's wear in literary works.

Men's clothing is not something you want to wear.

Women disguise themselves as men, that is, women wear men's clothing and pretend to be beautiful men.

In neutral

So popular now, the choice of clothing is more than just a personality aesthetic interest, but in the past, to wear a heterosexual dress is not so simple.

In ancient China, everything was regulated by rules and regulations.

Different dress is an important means to protect men and women from all kinds of dangers.

Therefore, the appearance of disguise is only a dress problem. In ancient times, it was regarded as a kind of behavior that endangering grade system and contrary to etiquette.

If you wear a clothes of the opposite sex and break into the circle of life that you do not belong to yourself, once it is discovered, it will really be "on the job".

However, women wore men's clothing at the beginning and were not excluded. In the pre Qin and Han Dynasties, the phenomenon of women's military clothing on the battlefield was very common.

In the historiography of Xiang Yu, there is a clear record: "the king of the Han Dynasty went out of the night, and the two thousand men of the east gate of Xingyang were attacked by Chu troops.

When Liu Bang's Han Army and Xiang Yu fought, two thousand women troops came out to confuse the Chu army, and Liu Bangcai successfully broke through.

With the gradual establishment of the authority of Confucianism, the concept of "male superiority and inferiority" is increasingly popular among the people.

Although women are disguised as men's clothing, they are not accepted by mainstream values, but this phenomenon has occurred frequently, and has gradually developed into a disguised literature.

Cross dressing stems from life.

From the Northern Dynasties folk songs to Tang Chuanqi, to the song and Yuan script, and then to the Ming and Qing Dynasties Novels, the female disguised as men's stems appeared in various literary genres.

But these stories are not written by writers, mostly from life.

During the Wei, Jin, southern and Northern Dynasties, there were many women's participation in the war. Mulan is a typical example. "Mulan poem" is based on Mulan's deeds, which is the source of women's disguise as men's clothing.

Another example is Deng Deng, a woman named Huang Chongxia, who was recorded in the Ten Kingdoms spring and Autumn period and the former Shu. She lived in a manly suit and traveled two Chuan. He was appreciated by Zhou Cho of Dengzhou Prefecture, and was almost chessman recruited as a son-in-law.

By the time of Ming and Qing Dynasties, the theme of women disguised as men's wear was beyond repair.

Many of the short stories we are familiar with include stories of women disguised as men's stories, such as "San Yan Er Pai".

Cai Zi Jia's human novels are even less likely to be dressed up as men's stems. Many of the novels of gifted scholars and beautiful ladies who had a certain influence at that time had such themes, such as "jade jiao pear", "just like Yue", "Mulan Qi biography", "orchid dream" and so on.

In the late Ming Dynasty to the late Qing Dynasty, a large number of women writers created tellings in the literary world. There were also many works of women disguised as men's works, such as "rebirth", "pen born flowers" and "Feng Shuang Fei".

They are all girls and men.

Women who can think of achieving their own demands through women's disguise are definitely not ordinary women.

Women who are talented and talented are the first group to seek pformation.

At the end of the Ming Dynasty, the rise of the individual liberation movement and the upsurge of humanistic thought made the traditional concept of "women without talent".

There are no more than two talents of talented women: talent of poetry or courage.

In the novel, women who have courage and insight are mostly represented by women's active pursuit of love.

For example, Lu Meng pear in "jade jiao pear", Lu Meng pear sees Su Youbai as a passionate talent and loves heart, and then wears a "weak crown" about Su You Bai to go to the back garden to "marry the younger sister to marry herself", so bold and initiative, quite modern new women's elegant demeanour.

The image of a female officer who first disguised herself as a man was Xu Wei, the female champion of the Ming Dynasty.

Later, in the novels of the late Ming and early Qing Dynasties, there were also many female officials who disguised themselves as men, such as Zhang Lanying in Bai Zhi Zhi.

"As a woman, Zhi Sheng man".

In the Tanci novel "rebirth", Meng Lijun also created such a "prime minister" image.

The chivalrous girl who takes the heavy revenge will also choose to dress up in the male society as a woman disguised as a man. Xie Xiaoe, who is the spokesperson of chivalrous women, is the spokesman for the chivalrous image. The author wrote: "a woman who is suffering from difficulties, disguising herself as a man, using his heart and soul, and being able to get revenge and be able to keep his mind, is a strange woman."

In literary works, there is a group of people who like to dress up as men -- businesswoman businesswoman.

One of the classic images of a businesswoman is Huang Shancong in Li Xiuqing's righteous Huang Zhennv.

Huang Shancong, dressed as a man, followed the father who went out to do business. After his father died, Shan Cong continued to pretend to be a man and collaborate with others in doing business, showing outstanding economic savvy and operational ability.

In ancient times, emphasis was placed on marriage and marriage.

It became the "magic weapon" of ancient women's pursuit of love freedom and autonomous son-in-law.

Of course, there are women who are "married" who are not married.

Some women also aspire to integrate into society and gain social status.

In the Ming and Qing Dynasties, some women participated in the production of commodities, earning more than men.

In the patriarchal society, the "three principles" at home from the father, from the husband, and the husband die from the child makes the woman live as an appendage of the "father's son". Even if there is talent, there is no place to play. Some women who are unwilling to be buried will find opportunities to display their talents through the way they dress up as men.

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